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Ms. Rego: 727-542-4346
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Our
Music
Coming
soon to this page: HERALD Sound Sampler!
Program
Notes for 2005-2006:
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"All
Ye Who Music Love"
by Baldassare Donato (1527-1603),
arranged by David Clark Isele
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This piece is a contemporary setting
of an old madrigal. The setting is distinguished by snappy
syncopations, close diatonic harmonies, and an unusual aleatoric
section before the brilliant closing page.
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"Dixit
Maria"
by Hans Leo Hassler (1564-1612)
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This piece is a quiet a cappella meditation
on the words of the Virgin Mary. It employs polyphonic entrances
of a dignified melody based on chant.
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"Ave
Maria" Op. 37, No. 6
by Serge Rachmaninoff (1873-1943)
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Rachmaninoff echoes the Russian Orthodox
tradition of his homeland, suggesting eastern chant textures
while weaving an intense narrative form based on late romantic
harmonies.
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"Diffusa
est Gratia"
by Vytautas Miskinis (b. 1954)
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This is an enigmatic, beautiful modernist
piece. The polyphonic middle section of quasi-canonic writing
is framed by evocative paragraphs wherein the melody is
shared across the various parts and accumulates harmonic
resonance thereby.
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"Four
Songs For Four Voices"
by David Clark Isele; poems by John Matthias
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The lyric opening and closing movements
(1. Boy and a Lute, 4. Of a Cave Near a Pacific Beach) treat
the subject of lost love with delicacy and sensitive understatement.
The whimsical and capricious inner movements (2. A Dazzle,
3. Between) are rhythmic, lively and jazzy.
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"I'm
Goin' Away" and "Old Joe Clark"
arranged by Mack Wilberg
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The familiar folk song "I'm Goin'
Away" is set in lush harmonies with many subdivisions
of the choir parts to achieve rich resonance. The writing
combines traditional chordal progressions with innovative
polychords and bitonal inflections. By contrast, Wilberg's
setting of "Old Joe Clark" takes the listener
on a boisterous hoe-down, complete with yelps, shouts and
heehaws peppering the rambunctious and joyful tune.
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"Deep
River"
arranged by Duncan MacMillan
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This arrangement is a straightforward
setting of the old spiritual ornamented with a yearning
soprano descant arching over the final paragraphs.
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"Long
Time Ago" and "Ching a Ring Chaw"
arranged by Aaron Copland (b. 1900)
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These two pieces are part of a larger
collection of musical Americana arranged by Aaron Copland.
The first is a poignant Victorian ballad accompanied by
flute and piano, while the second is a Revivalist tune exuberantly
proclaiming the heavenly rewards awaiting the faithful.
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"America
the Beautiful"
arranged by Derric Johnson
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This is a stirring setting of the patriotic
tune that ends in great triumph.
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"Over
the Rainbow"
arranged by Russ Robinson
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This arrangement is a great example
of jazz a capella writing. With its close harmonies, soprano
solo, and gently flowing rhythms, it effectively paints
the text in a rainbow of musical colors.
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